24 October 2026 — 9:00PM

yesROOM

In Spanish, quiebre means rupture, collapse, breakdown. In flamenco, it refers to a sudden fracturing of the body and rhythm: the moment when balance breaks and from that fracture a new intensity is born. With Quiebre, Industria Indipendente continues its research around Don Quixote alongside performer and choreographer Alma Söderberg. The quiebre becomes a space of possibility, where failure is […]

6 November 2026 — 8:00PM

ROOM 2100

A nocturnal encounter, a non-straight temporality that thickens, returns, deviates — lingers, expands, gets lost. Between waking and sleep, fear and desire, stillness and transformation, Calderoni and Caleo sink into the night, a material to inhabit, devour and displace elsewhere.  Accompanying this descent into darkness are the words of Monique Wittig and Sande Zeig from Lesbian Peoples: Material for a Dictionary, while the line that gives the research its title comes from Alejandra Pizarnik, an Argentine lesbian poet who died by suicide.  At the deepest point of the night, other cosmologies emerge: packs, hordes, swarms; mares, she-wolves, lionesses, marmots and snakes. Two bodies become many and, as in Wittig and Zeig’s text, entire populations gather. Boundaries become porous, and on bodies always on the verge of falling asleep appear antennae, hair, feathers, paws, claws, scales and mouths.  La notte ha la forma del grido di un lupo withdraws from the urgency to move forward, produce, or get somewhere. Because here, duration is a matter of resistance: to last one moment longer than those who want us dead, to endure one […]