15 September 2026 — 8:30PM

Ground Hall

In BELL END, Mathilde Carmen Chan Invernon stages an ironic and unflinching dissection of the codes of dominant masculinity. Through body, voice and sound, the performers observe, imitate and distort gestures, words and attitudes that belong to the imaginary of the connard — a figure as recognisable as it is everyday. Awkward postures, deliberately shapeless costumes and a sound score […]

16 September 2026 — 7:00PM

Ground Hall

In BELL END, Mathilde Carmen Chan Invernon stages an ironic and unflinching dissection of the codes of dominant masculinity. Through body, voice and sound, the performers observe, imitate and distort gestures, words and attitudes that belong to the imaginary of the connard — a figure as recognisable as it is everyday. Awkward postures, deliberately shapeless costumes and a sound score […]