Caterina Viguera & Ramon Landolt –– Reparative Sound

Giving a voice to the city's unheard sounds

by BASE Milano

Rediscovering the sonic ecosystem

Every city is a complex system of voices and resonances: the infrasound generated by turbines meets the ultrasonic signals of communicating bats, while the buzzing of a pollinating insect intertwines with the trickling of a fountain. The urban soundscape is a living organism, a constant dialogue between biological and artificial elements. However, human perception is limited to a range of 20Hz to 20kHz, leaving out a vast spectrum of vibrations and frequencies.

What if we could amplify these hidden sounds? If we could slow them down, reshape them, and hear them in a new way? Reparative Sound answers these questions through an immersive experience where the city’s sounds are remixed and rearranged, revealing an alternative, more inclusive reality where every urban entity—human and non-human—can literally have a voice.

The Pavilion: an interactive experience

Created by Caterina Viguera and Ramon Landolt, the project takes shape as a freestanding modular pavilion made from recycled wood. Designed to be installed in less than a day by just two people, it features a circular space with a 2.4-meter diameter, accommodating up to eight visitors at a time. Inside, a bench invites guests to sit and fully immerse themselves in an amplified and reshaped soundscape.

The pavilion’s walls are covered with printed textiles depicting insects and sonic entities, visually linking to the sounds being produced. Inside, a deep blue fabric enhances the sense of immersion. The sound installation consists of four channels with four speakers embedded in the facade, powered by a standard 220V plug. A small light inside adds to the intimate, contemplative atmosphere.

Redefining our relationship with sound

Reparative Sound is more than an art installation—it is a reflection on perception and the sonic hierarchies that shape urban spaces. By modulating and amplifying unheard frequencies, the project invites us to reconsider the relationship between humans, machines, and nature. The act of listening itself becomes a form of awareness, a reparative gesture toward an environment that is often overlooked.

Supported by Pro Helvetia and Kanton Zürich, Reparative Sound reshapes how we perceive the city, offering a sensory experience that bridges the visible and invisible, the tangible and the imperceptible..

So... is this getting serious?

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