FAROUT Live Arts Festival AzkonaToloza — Tierras del sud

performance

Neocolonialism, barbarism, and contemporary culture.

What links Italian textiles magnate Luciano Benetton to the small Mapuche community of the Curiñanco-Nahuelquir?
How about Argentina’s current president Mauricio Macri and Sylvester Stallone?

And NBA player Emanuel Ginobili to Butch Cassidy?

You can find the answers to all these questions here, thousands of miles from the USA or Europe.
Here, south of South, at the southernmost limits of America, in the least populated region of Argentina.
Here, between vast crystalline lakes and soaring snowcapped peaks.
Between the Andes and the Atlantic.
In Puelmapu, the ancestral lands of the Mapuche people.

On stage, two performers transform an empty set into a section of modern-day Argentinian Patagonia. Amid mountain ranges, lakes, virgin forests, and imaginary cities, they rewrite the history of the Argentine state, highlighting its ties to foreign wealth and the systematic brutality inflicted on South America’s indigenous peoples.

Tierras del Sud is the second part of the PACÍFICO trilogy, a documentary performance series that explores the atrocities committed against South America’s first peoples, the rise of new forms of colonialism, and the pervasive influence of dominant contemporary culture.

The trilogy delves into the intricate connections between multinational fortunes, South American states, former colonies, and the relentless exploitation of natural resources. Tierras del Sud focuses on the strong ties between massive foreign fortunes, such as those of Italian businessmen Carlo and Luciano Benetton, and the atrocities committed in the Patagonian provinces of Neuquén, Chubut, and Río Negro—lands to which the Mapuche people hold ancestral rights.

This conflict, over a century old, dates back to the Conquest of the Desert, a military campaign that seized indigenous lands for the benefit of Argentina’s oligarchies and foreign investors, particularly the English. This led to the creation of the Argentine Southern Land Company Limited, an English cattle-farming company that owned nearly a million hectares of Patagonian land, later acquired by the Benetton Group’s Edizione S.r.l.

Today, this land is a coveted asset, drawing multimillionaires and celebrities who now own over 20% of Argentinian Patagonia. The strategic geopolitical value of controlling this territory and its resources is central to our investigation, alongside real estate speculation, tourism, racism, and the criminalization of dissenting voices—revealing a complex web of neocolonialism and contemporary culture.

Bio
Located halfway between the Mediterranean Sea, the Pyrenees and the Atacama Desert, Laida Azkona Goñi and Toloza Toloza-Fernández are a pair of artists dedicated to the realisation of living arts projects.
Interested in the infinite possibilities of poetry and visual anthropology, lofi video-creation, performance and movement, their latest creations focus on the re-reading of official history and documentary creation designed for the stage. Understanding the stage as a stage from the hall of an opera house to the immensity of an Altiplanic salt flat.
Azkona & Toloza’s regular collaborators are: the musician and composer Rodrigo Rammsy, the set designer and stage director Xesca Salvà, the choreographer and lighting designer Ana Rovira and the stage director and playwright Raquel Cors.
CUERPOS CELESTES is the company’s latest stage project.
La Colección, pequeña caja de herramientas, about the collections of the Museu Etnològic i de Cultures del Món, is their latest publication.
Among other theatres and festivals, their work has been presented at the Grec Festival and Festival Sâlmon de Artes Vivas in Barcelona, Thèâtre de la Ville and Festival d’Automne in Paris, Thèâtre Garonne in Toulouse, EuroSzene in Leipzig, La Bâtie Festival in Genève, FIAC in Salvador de Bahia, Festival Mirada in Santos and Sao Paulo, Museo Universitario del Chopo in Mexico City, Romaeuropa Festival in Rome, Festival Internacional de Buenos Aires, Fitei Digital in Porto, Salón Nacional de Artistas de Colombia in Bogotá, Naves de Matadero and Teatro Español in Madrid, NAVE in Santiago de Chile, Escena Abierta in Burgos and Temporada Alta in Girona.
Credits

Production: Antic Teatre, Festival TNT, and Azkona & Toloza

With the Collaboration of: Innova Cultural (a Fundación Bancaria Caja Navarra and Obra Social “La Caixa” program), Teatro Gayarre, El Graner – Mercat de les Flors, La Caldera, Azala Espazioa, Patagonian Institute of Arts, L’Estruch of Sabadell, and Osvaldo Bayer Popular Library in Villa La Angostura

Subsidized by the Government of Navarra and with support from the Department of Culture of the Generalitat de Catalunya and the Iberescena Program

 
 

  • Duration 60'
  • Doors opening at 20:45
  • this event can be enjoyed while seated, in both Spanish and English, featuring Italian subs. LIS and poetic audio description are not included. For any requirements, please send us an e-mail to farout@base.milano.it.

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