{"id":39049,"date":"2026-03-27T16:56:08","date_gmt":"2026-03-27T15:56:08","guid":{"rendered":"https:\/\/base.milano.it\/?p=39049"},"modified":"2026-03-27T16:56:08","modified_gmt":"2026-03-27T15:56:08","slug":"tommaso-pardini-mare-fecunditatis","status":"publish","type":"post","link":"https:\/\/base.milano.it\/en\/tommaso-pardini-mare-fecunditatis\/","title":{"rendered":"Tommaso Pardini \u2014 Mare Fecunditatis"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" style=\"font-size:28px;letter-spacing:-0.8px\"><\/h2>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Mare Fecunditatis<\/strong> is a cycle of six vessels developed under the distant pressure of Mishima\u2019s The Sea of Fertility. In carbonized ceramic and steel, the work takes carbon, not simply as matter, but as residue: an index of combustion, memory, and historical exhaustion. Ancient funerary typologies are subjected to measured technological incursions, producing forms suspended between relic and instrument, sepulchral object and engineered artifact. What emerges is not a narrative of collapse, but a condition of persistence within collapse\u2014where beauty, violence, and transmigration remain bound to the same material destiny.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><\/p>\n\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\">\u2013\u2013\u2013\u2013<br><strong>We Will Design 2026 \u2014 HELLO, DARKNESS<\/strong> embraces design as a tool for subverting hierarchies and weaving together ecologies and technologies to imagine the cities and societies of the future.<br>It is an invitation to recognize the abyss \u2014 political, ecological, aesthetic \u2014 we&#8217;re living in, not as a place of fear, but as a space of regeneration, resistance, and imagination. Darkness here is not absence, but a fertile condition that embraces invisible gestures, marginalized knowledge, and luminous forms of resistance.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mare Fecunditatis is a cycle of six vessels developed under the distant pressure of Mishima\u2019s The Sea of Fertility. In carbonized ceramic and steel, the work takes carbon, not simply as matter, but as residue: an index of combustion, memory, and historical exhaustion. Ancient funerary typologies are subjected to measured technological incursions, producing forms suspended between relic and instrument, sepulchral [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":38911,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[94,95],"tags":[103],"class_list":["post-39049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design-en","category-wewilldesign-en","tag-design-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tommaso Pardini \u2014 Mare Fecunditatis - BASE Milano<\/title>\n<meta name=\"description\" content=\"Mare Fecunditatis is a cycle of six vessels developed under the distant pressure of Mishima\u2019s The Sea of Fertility.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/base.milano.it\/en\/tommaso-pardini-mare-fecunditatis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tommaso Pardini \u2014 Mare Fecunditatis - 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