{"id":8785,"date":"2024-01-31T10:45:11","date_gmt":"2024-01-31T09:45:11","guid":{"rendered":"https:\/\/base.milano.it\/?page_id=8785"},"modified":"2024-06-12T15:40:03","modified_gmt":"2024-06-12T13:40:03","slug":"casefanzine","status":"publish","type":"page","link":"https:\/\/base.milano.it\/en\/casefanzine\/","title":{"rendered":"CASE: THE ZINE"},"content":{"rendered":"
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A Public Program, three appointments, three zines – one for each meeting. CASE<\/span><\/a> is listenable and also readable. You can find it at BASE and here, in digital format.

It is printed in the VerySeri art printing workshop with two-color silkscreen on Sappi Raw 115g paper, a high quality coated paper certified by FSC and PEFC provided by Paper&People.<\/p>\n\n\n\n

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CASE #1<\/h2>\n <\/div>\n\n
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\u201cCamps as Trans-Local Commons\u201d by Pelin Tan \u2014 From the series Refugee Heritage conversations one-flux,July 2017<\/h3>\n
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\n fanzine <\/div>\n <\/div>\n <\/div>\n\n
\n \"CASE:\n\n
\n What trans-local commoning practices could exist between urbanized camps such as Dheisheh or Al-Fawar in Palestine and those recently established… <\/span>\n <\/figcaption>\n <\/figure>\n <\/div>\n\n \n
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\u201cI am here\u201d by Laila Sit Aboha. Editorial introduction for Arab Pop, Spring 2023<\/h3>\n
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\n fanzine <\/div>\n <\/div>\n <\/div>\n\n
\n \"CASE:\n\n
\n As an adage widely attributed to Nagib Mahfuz goes, \u201cyour home is not where you were born. Home is where… <\/span>\n <\/figcaption>\n <\/figure>\n <\/div>\n\n \n
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Instagram post published by @abitare_in_via_padova on Dec 22, 2023<\/h3>\n
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\n In the last two days we have witnessed the ignition of a significant debate on the pages of Corriere della… <\/span>\n <\/figcaption>\n <\/figure>\n <\/div>\n\n \n
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Artist Marta Rosler on her work \u201cHousing Is a Human Right\u201d, realized in March 1989<\/h3>\n
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\n Quest’opera \u00e8 stata realizzata su commissione del Public Art Fund nel 1989, nell’ambito della serie Messages to the Public. Dal… <\/span>\n <\/figcaption>\n <\/figure>\n <\/div>\n\n \n
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\u201cCulture Class: Art, Creativity, Urbanism, Part I\u201d by Martha Rosler. June 2011<\/h3>\n
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\n Throughout the 1960s, as former metropolitan empires schemed, struggled, and strong-armed to secure alternative ways to maintain cheap access to… <\/span>\n <\/figcaption>\n <\/figure>\n <\/div>\n\n \n
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\u201cThe Future of Nostalgia\u201d by\u00a0 Svetlana Boym, 2001 as published on monumenttotransformation.org<\/h3>\n
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\n fanzine <\/div>\n <\/div>\n <\/div>\n\n
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\n The word \u201cnostalgia\u201d comes from two Greek roots: \u03bd\u03cc\u03c3\u03c4\u03bf\u03c2, n\u00f3stos (\u201creturn home\u201d) and \u1f04\u03bb\u03b3\u03bf\u03c2, \u00e1lgos (\u201clonging\u201d). I would define it… <\/span>\n <\/figcaption>\n <\/figure>\n <\/div>\n\n <\/div>\n \n
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