{"id":1334,"date":"2023-08-07T02:37:06","date_gmt":"2023-08-07T00:37:06","guid":{"rendered":"https:\/\/base.milano.it\/?page_id=1334"},"modified":"2026-10-06T16:14:42","modified_gmt":"2026-10-06T14:14:42","slug":"homepage","status":"publish","type":"page","link":"https:\/\/base.milano.it\/en\/","title":{"rendered":"Homepage"},"content":{"rendered":"
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BASE Milano \u00e8 un centro culturale ibrido al servizio della citt\u00e0.Non un museo, non un teatro, non solo uno spazio aggregativo o un ristorante, non un coworking tradizionale, non un locale da ballo.Siamo tutte queste cose insieme e anche molto altro.<\/h2>\n\n\n\n
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SCOPRI BASE \u2197<\/a><\/div>\n<\/div>\n\n\n\n
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\n Highlights<\/span>\n
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FAROUT Live Arts Festival 2026: Hello Darkness<\/h2>\n FAROUT Live Arts Festival is back: from October 9 to November 22, a month and a half of performances, exhibitions, and encounters.\r\nA festival that transforms the stage into an affective ecosystem made of sounds, bodies, and thoughts inhabiting both BASE and the city. <\/figcaption>\n

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schau\/stellen<\/h3>\n
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17 Oct
H20:30<\/span>\n <\/i>ROOM 1400<\/span>\n <\/p>\n <\/div>\n

\n This theatre is a morgue. Through the repetition and variation of the bow, the diptych schau\/stellen makes gesture the foundation of a choreographic writing that calls into question the scenic space as the fulcrum of an asymmetrical relation of power and interdependence between vision and representation, performer and audience.   This theatre is a morgue. <\/span>\n <\/figcaption>\n <\/figure>\n\n <\/div>\n
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Canta Fino A?<\/h3>\n
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18 Oct
H20:30<\/span>\n <\/i>Ground Hall<\/span>\n <\/p>\n <\/div>\n

\n Canta Fino A is the performative format of the transfeminist collective Canta Fino A Dieci, created to open spaces of representation, collaboration and participation in the contemporary music scene. In this version, the artists take the stage unannounced: the concert builds itself through listening, letting voices, songs and the relationship with the audience take centre stage. By suspending individual identity, […] <\/span>\n <\/figcaption>\n <\/figure>\n\n <\/div>\n
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PUNTO DE QUIEBRE<\/h3>\n
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24 Oct
H21:00<\/span>\n <\/i>yesROOM<\/span>\n <\/p>\n <\/div>\n

\n In Spanish, quiebre means rupture, collapse, breakdown. In flamenco, it refers to a sudden fracturing of the body and rhythm: the moment when balance breaks and from that fracture a new intensity is born. With Quiebre, Industria Indipendente continues its research around Don Quixote alongside performer and choreographer Alma S\u00f6derberg. The quiebre becomes a space of possibility, where failure is […] <\/span>\n <\/figcaption>\n <\/figure>\n\n <\/div>\n
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La notte ha la forma del grido di un lupo<\/h3>\n
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6 Nov
H20:00<\/span>\n <\/i>ROOM 2100<\/span>\n <\/p>\n <\/div>\n

\n A\u00a0nocturnal\u00a0encounter, a\u00a0non-straight\u00a0temporality\u00a0that\u00a0thickens,\u00a0returns,\u00a0deviates\u00a0\u2014\u00a0lingers,\u00a0expands,\u00a0gets\u00a0lost.\u00a0Between\u00a0waking\u00a0and\u00a0sleep,\u00a0fear\u00a0and desire,\u00a0stillness\u00a0and\u00a0transformation, Calderoni and Caleo\u00a0sink\u00a0into\u00a0the night, a\u00a0material\u00a0to\u00a0inhabit,\u00a0devour\u00a0and\u00a0displace\u00a0elsewhere.\u00a0 Accompanying\u00a0this\u00a0descent\u00a0into\u00a0darkness\u00a0are the words of Monique Wittig and Sande Zeig from\u00a0Lesbian\u00a0Peoples:\u00a0Material\u00a0for a Dictionary,\u00a0while\u00a0the line\u00a0that\u00a0gives\u00a0the\u00a0research\u00a0its\u00a0title\u00a0comes\u00a0from Alejandra Pizarnik, an Argentine\u00a0lesbian\u00a0poet\u00a0who\u00a0died\u00a0by suicide.\u00a0 At the\u00a0deepest\u00a0point of the night,\u00a0other\u00a0cosmologies\u00a0emerge: packs,\u00a0hordes,\u00a0swarms;\u00a0mares,\u00a0she-wolves,\u00a0lionesses,\u00a0marmots\u00a0and\u00a0snakes. Two bodies\u00a0become\u00a0many\u00a0and,\u00a0as\u00a0in Wittig and\u00a0Zeig\u2019s\u00a0text,\u00a0entire\u00a0populations\u00a0gather.\u00a0Boundaries\u00a0become\u00a0porous, and on bodies\u00a0always\u00a0on the verge of\u00a0falling\u00a0asleep\u00a0appear\u00a0antennae,\u00a0hair,\u00a0feathers,\u00a0paws,\u00a0claws,\u00a0scales\u00a0and\u00a0mouths.\u00a0 La notte ha la forma del grido di un lupo\u00a0withdraws\u00a0from the\u00a0urgency\u00a0to\u00a0move\u00a0forward, produce, or\u00a0get\u00a0somewhere.\u00a0Because\u00a0here, duration\u00a0is\u00a0a\u00a0matter\u00a0of\u00a0resistance:\u00a0to last one moment\u00a0longer\u00a0than\u00a0those\u00a0who\u00a0want\u00a0us\u00a0dead, to\u00a0endure\u00a0one […] <\/span>\n <\/figcaption>\n <\/figure>\n\n <\/div>\n
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PUFF<\/h3>\n
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9 Nov
H20:30<\/span>\n <\/i>ROOM 1400<\/span>\n <\/p>\n <\/div>\n

\n Movement oscillates between lightness and strength, balance and abandon, moving through rhythms and gestures that evoke Brazilian urban dance. Breath, pauses and the beating of feet become part of the choreography, giving life to a presence in continuous transformation. At the heart of the work emerges the theme of disguise as a practice of transmission: a way of preserving and […] <\/span>\n <\/figcaption>\n <\/figure>\n\n <\/div>\n
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Sognare, forse dormire \u2014 a sleeping performance<\/h3>\n
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21 \u2014 22 Nov<\/span>\n <\/i>ROOM 1400<\/span>\n <\/p>\n <\/div>\n

\n A guiding voice and a sound composition gradually lead from wakefulness into sleep, creating the conditions to explore lucid dreaming. During the night, music, sounds and brief appearances by the performer and musicians move through the space discreetly, interweaving with the sleep of those taking part. Small shifts in perception open a simple question: Am I dreaming? Suspended between sleep […] <\/span>\n <\/figcaption>\n <\/figure>\n\n <\/div>\n
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Toi, moi, Tituba…<\/h3>\n
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26 Nov
H20:30<\/span>\n <\/i>ROOM 1400<\/span>\n <\/p>\n <\/div>\n

\n Starting from the figure of Tituba \u2014 the Black woman accused of witchcraft in the Salem trials and protagonist of Maryse Cond\u00e9’s novel \u2014 Doroth\u00e9e Munyaneza constructs a solo that moves through memory, body and history. Dance, voice and music become instruments for restoring presence to those who have been erased, reduced to silence or excluded from official narratives, exploring […] <\/span>\n <\/figcaption>\n <\/figure>\n\n <\/div>\n
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YO VOMITO YUAN<\/h3>\n
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1 Dec
H20:30<\/span>\n <\/i>ROOM 1400<\/span>\n <\/p>\n <\/div>\n

\n IO VOMITO YUAN is born from the book “YO VOMITO YUE YUAN” written by Yuan as a Master’s thesis. Between narrative writing and critical reflection, the text moves through politics, science fiction, philosophy and questions of gender in a fragmented and visionary language that resists all classification. The performance transforms this writing into voice and body, questioning the condition of […] <\/span>\n <\/figcaption>\n <\/figure>\n\n <\/div>\n
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KaraOCHE<\/h3>\n
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2 Dec
H21:00<\/span>\n <\/i>yesROOM<\/span>\n <\/p>\n <\/div>\n

\n The performance blends the atmosphere of a karaoke bar with surreal elements, creating a space suspended between reality and fiction, where animal stories, human tragedies, and existential questions intertwine. Through singing, dancing, and spoken word, karaoke becomes a place where unauthorized, eccentric, and marginalized voices find legitimacy and space to speak. <\/span>\n <\/figcaption>\n <\/figure>\n\n <\/div>\n <\/div>\n
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